The first movement of Mozart’s Requiem in D minor, performed by the Bezdin Ensemble, under the direction of Adina Spire, with a graphical score.
At the time of Mozart’s death on 5 December 1791, only the opening movement (Requiem aeternam) was completed in all of the orchestral and vocal parts. The following Kyrie and most of the sequence (from Dies Irae to Confutatis) were complete only in the vocal parts and the continuo (the figured organ bass), though occasionally some of the prominent orchestral parts were briefly indicated, such as the violin part of the Confutatis and the musical bridges in the Recordare. The last movement of the sequence, the Lacrimosa, breaks off after only eight bars and was unfinished. The following two movements of the Offertorium were again partially done; the Domine Jesu Christe in the vocal parts and continuo (up until the fugue, which contains some indications of the violin part) and the Hostias in the vocal parts only.




1 comment
October 11, 2013 at 10:26 am
The Intransigent One
I just love the fugue section. And watching it go by, was it my imagination or did he break a rule and have a middle voice state the theme /after/ the outer voices had already gone? Tricksy Wolfgang!
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