You are currently browsing the tag archive for the ‘The DWR Friday Baroque Interlude’ tag.
Tag Archive
The DWR Friday Baroque Interlude – Monteverdi: Cruda Amarilli
December 6, 2019 in Music | Tags: Choral Music, Monteverdi: Cruda Amarilli, The DWR Friday Baroque Interlude | by The Arbourist | Leave a comment
Cruel Amaryllis, who with your name
to love, alas, bitterly you teach.
Amaryllis, more than the white privet
pure, and more beautiful,
but deafer than the asp,
and fiercer and more elusive.
Since telling I offended you,
I shall die in silence.
The DWR Friday Baroque Interlude – Bach, BWV 655
September 27, 2019 in Music | Tags: BWV 655, Organ Chorale Trio: Herr Jesu Christ, The DWR Friday Baroque Interlude | by The Arbourist | Leave a comment
The DWR Friday Baroque Interlude Bertali – Ciaccona in C
September 13, 2019 in Music | Tags: Bertali - Ciaccona in C, The DWR Friday Baroque Interlude | by The Arbourist | Leave a comment
The DWR Friday Baroque Interlude: Folia – Variations by Arcangelo Corelli, Alessandro Scarlatti and Marin Marais
June 28, 2019 in Music | Tags: Alessandro Scarlatti and Marin Marais, Folia - Variations by Arcangelo Corelli, The DWR Friday Baroque Interlude | by The Arbourist | 1 comment
La Folía (Spanish), also folies d’Espagne (French), Follies of Spain (English) or Follia (Italian), is one of the oldest European musical themes, or primary material, generally melodic, of a composition, on record. The theme exists in two versions, referred to as early and late folias, the earlier being faster.
Arcangelo Corelli in 1700, Marin Marais in 1701 and Alessandro Scarlatti in 1710 are three of many important composers those considered to highlight this ‘later’ folia repeating theme in a brilliant way.
Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and functional harmony.
Alessandro Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, especially famous for his operas and chamber cantatas. He is considered the founder of the Neapolitan school of opera. He was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti.
Marin Marais (31 May 1656, Paris – 15 August 1728, Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. He was hired as a musician in 1676 to the royal court of Versailles. He did quite well as court musician, and in 1679 was appointed ordinaire de la chambre du roy pour la viole, a title he kept until 1725.
He was the father of the composer Roland Marais (c. 1685 – c. 1750).
The DWR Friday Baroque Interlude – Vivaldi: Concerto for 4 Violins in B minor RV 580
June 21, 2019 in Music | Tags: The DWR Friday Baroque Interlude, Vivaldi: Concerto for 4 Violins in B minor RV 580 | by The Arbourist | Comments closed
When Vivaldi died in 1741 his music was in the most complete darkness. It was the scholars of Bach in the nineteenth century who first heard of Vivaldi, thanks to the ancient manuscripts where Bach had transcribed the concerts of someone called Vivaldi. It was known who Bach was, but who was Vivaldi? Fortunately, a search was conducted, which resulted in the rescue of Vivaldi from oblivion.
274
Your opinions…