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The theme of triumphal music continues here at DWR.
In 1965, Piazzolla began writing Cuatro Estraciones Porteñas, a homage to both the tango and Vivaldi’s The Four Seasons, and completed the work in 1970.
The Cuatro Estaciones Porteñas, also known as the Estaciones Porteñas or The Four Seasons of Buenos Aires, are a set of four tango compositions written by Ástor Piazzolla, which were originally conceived and treated as different compositions rather than one suite, although Piazzolla performed them together from time to time. The pieces were scored for his quintet of violin (viola), piano, electric guitar, double bass and bandoneón. By giving the adjective porteño, referring to those born in Buenos Aires, the Argentine capital city, Piazzolla gives an impression of the four seasons in Buenos Aires.
The Seasons
Verano Porteño (Buenos Aires Summer)
written in 1965[1], originally as incidental music for the play ‘Melenita de Oro’ by Alberto Rodríguez Muñoz.[2]
Invierno Porteño (Buenos Aires Winter)
written in 1969.
Primavera Porteña (Buenos Aires Spring)
written in 1970, contains counterpoint.
Otoño Porteño (Buenos Aires Autumn)
written in 1970.
In 1996-1998, the Russian composer Leonid Desyatnikov made a new arrangement of the above four pieces with more obvious link between Vivaldi and Piazzolla, by converting each of pieces into three-section pieces, and re-arranging for solo violin and string orchestra. In each piece he included several quotations from original Vivaldi’s work but due to seasons being inverted between northern and southern hemispheres, thus, for example, Verano Porteño had added elements of L’inverno (Winter) of Vivaldi.
Dress rehearsal tonight, been practising like a mad fool. We have a full line up. Starting with Rheinberger’s lovely Stabat Mater:
Then a Schubert Mass :
Some Mendelssohn:
And some Mozart :
It is going to be a great concert. :)
Very serious selection here today. Let us appreciate the solemn nature of this composition by PDQ Bach.
I like this song so much that you get to sample the original and a choral arrangement of the work.
Go go Enya. :)
Bear Mccreary loves Taiko drumming. So say we all.
This track was first played on the re-imagined “Battlestar Galactica” television series during the season 2 episode “Pegasus”, for its final, climactic scene. After Battlestar Galactica Flight Deck Chief Galen Tyrol and Pilot Karl Agathon are arrested, on the orders of Fleet Admiral Helena Cain, for the accidental death of Battlestar Pegasus’ “Cylon Interrogator” Lieutenant Thorne (while stopping Thorne and his men during Thorne’s interrogation (and attempted rape) of Cylon Sharon “Boomer” Valerii. Galactica Commander William Adama is informed that both men have been tried and convicted of murder and treason by Cain, and are to be executed. Adama, having earlier been told by Cain that the men would receive a fair tribunal trial, orders CIC to assemble a Marine Strike Team and to prepare to launch alert Vipers. He then contacts the Pegasus and Cain, angrily demanding an explanation of Cain’s actions. When the Admiral’s statements of the men’s guilt and her judgment fails to satisfy him, Adama, fully aware of the possible chaos he’s about to unleash, orders the launch of Galactica’s fighters, and then tightly demands the return of the two men. Cain, noting the launch of Vipers and a Raptor from Galactica, tightly cautions Adama to stand down. Adama angrily refuses, and Cain, also well aware of the possibly dire consequences, orders ‘Action Stations’, the launch of Pegasus’ alert Vipers to meet Galactica’s, and the targeting of Galactica herself. As the fighters approach each other, it is obvious that the very volatile confrontation could get completely out of hand.
bleatmop
The Intransigent One
Mystro
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