Prelude in C-sharp minor (Russian: Прелюдия), Op. 3, No. 2, is one of Sergei Rachmaninoff’s most famous compositions. It is a ternary (ABA) prelude for piano in C-sharp minor, 62 bars long, and part of a set of five pieces entitled Morceaux de fantaisie.[1]
Its first performance was by the composer on September 20, 1892,[2] at a festival called the Moscow Electrical Exhibition,[3] which Rachmaninoff considered his debut as a pianist.[2] After this première, a review of the concert singled out the Prelude, noting that it had “aroused enthusiasm”.[4] From this point on, its popularity grew.
Rachmaninoff later published 23 more preludes to complete a set of 24 preludes covering all the major and minor keys, to emulate earlier sets by Bach, Chopin, Alkan, Scriabin and others.
The prelude is organized into three main parts and a coda:
- The piece opens with a three note motif at fortissimo which introduces the grim C-sharp minor tonality that dominates the piece. The cadential motif repeats throughout. In the third bar, the volume changes to a piano pianissimo for the exposition of the theme.
- The second part is propulsive and marked Agitato (agitated), beginning with highly chromatic triplets. This passionately builds to interlocking chordal triplets that descend into a climactic recapitulation of the main theme, this time in four staves to accommodate the volume of notes. Certain chords in the section are marked with quadruple sforzando.
- The piece closes with a brief seven-bar coda which ends quietly.
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4 comments
July 4, 2014 at 12:30 pm
roughseasinthemed
Beautiful. The first part with the simple notes in the minor key reminded me of Satie. Then the middle sounds more like the strong passionate piano concertos, and then, the lovely soft ending. Nice share. I love Rach.
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July 4, 2014 at 12:31 pm
The Arbourist
@RSITM
Me too. In my piano fantasy world, I can play this, along with much of Bach and Beethoven too.
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July 4, 2014 at 12:38 pm
roughseasinthemed
Oh me too. Every single Beethoven piano concerto. Tchaikovsky’s number one, Grieg, Schumann, but the truth is I can only play the opening bars to fur Elise and that was self taught :D
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October 12, 2014 at 6:28 pm
Marcella
Hurrah, that’s what I was searching for, what a data! present
here at this website, thanks admin of this website.
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