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“This song makes me feel like I could 1v1 the Sun” – An apt quote on the how potent music can be.
“The Only Thing They Fear Is You” is a track composed by Mick Gordon for the soundtrack of the video game *DOOM Eternal* (2020). It is one of the most iconic pieces from the game, known for its intense, aggressive, and adrenaline-pumping sound that perfectly complements the fast-paced, demon-slaying action of the *DOOM* franchise. Below is a summary of the song’s key aspects:
Overview
– **Composer**: Mick Gordon
– **Album**: *DOOM Eternal (Original Game Soundtrack)*
– **Release Date**: March 20, 2020
– **Genre**: Industrial metal, electronic, video game soundtrack
– **Length**: Approximately 6:52 (full version)
– **Context**: The track is featured during high-intensity combat sequences in *DOOM Eternal*, enhancing the player’s experience as the Doom Slayer battles demonic forces.
Musical Characteristics
– **Style and Tone**: The song is characterized by its heavy, aggressive sound, blending industrial metal with electronic elements. It features pounding drums, distorted guitar riffs, and pulsating synths, creating a relentless and chaotic atmosphere that mirrors the game’s brutal combat.
– **Structure**: The track builds dynamically, starting with ominous, low-frequency drones and gradually escalating into a high-energy, riff-driven onslaught. It incorporates breakdowns, tempo shifts, and layered instrumentation to maintain intensity and momentum.
– **Signature Elements**: The song uses distorted, low-tuned guitar chugs, rapid-fire drum patterns, and glitchy electronic effects, creating a sense of urgency and power. The absence of vocals keeps the focus on the instrumental ferocity, aligning with the Doom Slayer’s silent, unstoppable persona.
Thematic Connection
– The title, “The Only Thing They Fear Is You,” is a direct reference to the Doom Slayer, the game’s protagonist, who is a near-mythical figure feared by the demons of Hell. The track embodies his relentless, destructive force, serving as an auditory representation of his dominance over his enemies.
– The music amplifies the game’s themes of power, vengeance, and survival, immersing players in the mindset of an unstoppable warrior.
Technical Notes
– Mick Gordon’s production techniques, such as using chainsaw sounds and unconventional recording methods, add a gritty, visceral texture to the track, enhancing its raw energy.
– The song is designed to sync with the game’s combat mechanics, with musical cues aligning with enemy waves and player actions, creating a seamless integration of sound and gameplay.
In summary, “The Only Thing They Fear Is You” is a masterfully crafted piece of music that encapsulates the raw power and intensity of *DOOM Eternal*. Its aggressive instrumentation, dynamic structure, and thematic alignment with the game’s narrative make it a standout track in both gaming and music culture.
A more detailed anaylsis:
Canada’s strength as a nation has historically rested on its ability to foster unity through shared values and a collective identity that embraces diversity. In recent years, however, identity-based movements, such as Pride celebrations, have increasingly emphasized group-specific grievances, sometimes at the expense of broader societal cohesion. While Pride has roots in advocating for equality, its shift toward queer activism—evident in events like the 2023 Toronto Pride parade, where political messaging dominated festivities—has led some to perceive it as divisive, challenging traditional norms. This essay argues that Canada should prioritize supererogatory values, such as compassion, civic duty, and national pride, to promote unity and counter the fragmenting effects of identity politics, while acknowledging the positive intentions of movements like Pride.
Pride celebrations, originally focused on inclusion for the LGBTQ+ community, have increasingly incorporated activist agendas that can alienate segments of the population. For example, the inclusion of controversial slogans and demands for systemic change during Pride events has sparked debates about whether these celebrations prioritize unity or ideological conformity. While supporters argue that Pride fosters inclusivity by amplifying marginalized voices, critics contend that its focus on specific identities can overshadow shared Canadian values, creating a perception of competing victimhoods. This dynamic risks fragmenting society, as public discourse shifts from collective goals to debates over who faces greater oppression, potentially undermining the moral and social cohesion that Canada has long championed.
In contrast, supererogatory values—those that inspire actions beyond basic moral obligations, such as volunteering, mutual respect, and national pride—offer a framework for uniting Canadians. Initiatives like the 2017 Canada 150 celebrations, which emphasized shared history and community service, demonstrate how focusing on collective identity can bridge divides across cultural and ideological lines. By promoting virtues like selflessness and civic responsibility, Canada can encourage citizens to prioritize the common good. For instance, community-driven programs, such as Calgary’s Neighbour Day, foster local engagement and reinforce a sense of belonging, countering the divisiveness of identity-based narratives with tangible acts of unity.
To address the risks of identity politics, Canada must balance the recognition of individual identities with a renewed emphasis on shared values. Identity politics, when unchecked, can foster resentment by framing societal issues as a zero-sum struggle, as seen in debates over funding for identity-specific programs versus universal public services. Acknowledging the positive contributions of Pride, such as its role in advancing legal protections for the LGBTQ+ community, does not negate the need to refocus on unifying principles. Policies that incentivize collective action—such as national volunteer campaigns or inclusive cultural festivals—can redirect public discourse toward shared goals, reducing the fractiousness of competing identity claims while respecting diverse perspectives.
In conclusion, Canada must navigate the tension between celebrating individual identities and fostering national unity by prioritizing supererogatory values. While Pride and similar movements have played a vital role in promoting inclusivity, their activist turn can inadvertently deepen societal divides. By investing in initiatives that emphasize compassion, civic duty, and a shared Canadian identity, such as community service programs or inclusive national celebrations, Canada can rebuild a cohesive social fabric. This approach does not dismiss the importance of individual identities but integrates them into a broader narrative of unity, ensuring that all Canadians feel connected to a common purpose and a stronger national community.


Read the paper here.
Introduction
The 2016 paper “Glaciers, gender, and science: A feminist glaciology framework for global environmental change research” by Mark Carey, M. Jackson, Alessandro Antonello, and Jaclyn Rushing, published in Progress in Human Geography (Glaciers, gender, and science), introduces a feminist glaciology framework that examines how gender dynamics influence the study of glaciers. The authors propose four components: knowledge producers, gendered science, systems of scientific domination, and alternative representations of glaciers. They argue that glaciers are not just physical entities but are embedded in social, cultural, and political contexts, challenging the notion that “ice is just ice.” While this interdisciplinary approach has sparked interest for its inclusivity, it has also faced significant criticism for claims perceived as unscientific or overly ideological, such as attributing sentience to glaciers or equating artistic representations with scientific knowledge. These claims, often labeled as controversial, have been debated in academic and public spheres, with critics arguing they dilute scientific rigor (National Post). This essay critically examines these claims and refutes them using scientific principles, emphasizing the importance of empirical evidence in glaciological research.
Claim 1: Glaciers as Sentient or Culturally Active
One of the paper’s most striking assertions is the inclusion of indigenous “folk glaciologies,” which suggest glaciers possess agency or sentience, such as narratives from Canada’s Yukon Territory where glaciers are believed to “listen” or be offended by actions like cooking with grease (Cruikshank, 2005). The authors present these beliefs as valid forms of knowledge, challenging the dominance of Western scientific perspectives. While indigenous narratives are valuable for understanding cultural relationships with the environment, they do not align with scientific definitions of sentience. Sentience, in biological terms, refers to the capacity to perceive or feel, typically requiring a nervous system or cognitive structures found in living organisms. Glaciers, composed of compressed snow and ice, are inanimate physical systems governed by physical processes like accumulation and ablation. No empirical evidence supports the idea that glaciers can perceive or respond to human actions in a sentient manner. Conflating cultural beliefs with scientific knowledge risks undermining the objectivity required for studying glacier dynamics, which is critical for addressing climate change. While respecting cultural diversity, science must prioritize testable, reproducible data over spiritual or anecdotal interpretations.
Claim 2: Masculinist Domination in Glaciology
The paper argues that glaciology has been shaped by “masculinist ideologies,” with scientific credibility historically tied to attributes like heroism, risk-taking, and conquest, often associated with masculinity. It cites examples like 19th-century glaciologist John Tyndall, whose mountaineering feats bolstered his scientific reputation, and notes that women comprised less than 20% of authors in major glaciology journals in 2009 (Carey et al., 2016). The authors suggest that these gendered dynamics marginalize alternative knowledge forms. While it is true that science, including glaciology, has historically been male-dominated, the validity of scientific research should be judged by its methodology, data, and conclusions, not the gender of its producers. Modern science strives for objectivity and inclusivity, with significant progress in diversifying STEM fields. For instance, the National Science Foundation’s 2021 report, Women, Minorities, and Persons with Disabilities in Science and Engineering (NSF 2021 Report), indicates that women now earn more bachelor’s and master’s degrees than men across all fields, and their representation in science and engineering has increased, with women earning 27% of doctoral degrees in these fields in 2018. Initiatives like the NSF’s ADVANCE program further promote gender equity in STEM. While acknowledging historical imbalances, the focus should remain on the quality of scientific output, which transcends gender.
Claim 3: Art and Literature as Valid Scientific Knowledge
The paper advocates for incorporating art and literature, such as Katie Paterson’s glacier sound projects or literary works reimagining gender in polar exploration, as legitimate ways of understanding glaciers. These “alternative representations” are presented as enriching glaciological knowledge by emphasizing emotional and cultural dimensions. While art and literature can provide valuable insights into human perceptions of glaciers, they do not meet the standards of scientific inquiry, which relies on systematic observation, experimentation, and reproducibility. For example, scientific studies of glaciers involve measuring ice core data or modeling glacial retreat, which provide quantifiable insights into climate change. Artistic works, while evocative, lack the rigor and verifiability required for scientific conclusions. Critics of the paper, as noted in a 2016 National Post article (Feminist Glaciology Backlash), have called such claims “gibberish” for blurring the lines between science and subjective expression. While art can complement scientific understanding by raising awareness or inspiring action, it should not be equated with the empirical methods needed to address environmental challenges.
Claim 4: Western Science as Colonial and Patriarchal
The authors assert that glaciology is complicit in colonial, imperial, and patriarchal systems, citing examples like Cold War ice core drilling for military purposes. They argue that these systems marginalize non-Western and indigenous knowledge, such as folk glaciologies. While science has historically been influenced by societal power structures, the scientific method itself is a universal tool designed to produce objective, reproducible results. Ice core data, for instance, has provided critical insights into past climates, benefiting global climate research regardless of its historical context. The critique of Western science as inherently colonial overlooks the fact that science is practiced globally, with contributions from diverse cultures. The NSF’s 2021 report highlights increasing diversity in STEM, including efforts to include underrepresented groups, suggesting that science is evolving to be more inclusive. While historical critiques are valid, they should not overshadow the scientific method’s ability to generate reliable knowledge when applied rigorously.
Claim 5: Rejection of “Ice is Just Ice”
The paper challenges the notion that glaciers are neutral, apolitical objects, framing them as “cryoscapes” with social, cultural, and gendered significance. While glaciers indeed hold cultural importance—evident in indigenous stories or artistic depictions—their scientific study focuses on physical properties like mass balance and melting rates, which are critical for understanding climate change. The assertion that glaciers are inherently gendered or political risks overcomplicating their study without contributing to actionable scientific outcomes. For example, glacier retreat models rely on physical data, not cultural narratives, to predict sea-level rise. While interdisciplinary perspectives can enrich public engagement with science, the core of glaciological research must remain grounded in empirical evidence to address pressing environmental issues effectively.
Conclusion
The feminist glaciology framework offers a thought-provoking perspective on how gender and culture intersect with environmental science, highlighting the need for inclusivity in knowledge production. However, claims such as attributing sentience to glaciers, equating art with science, or framing science as inherently colonial stretch beyond the boundaries of empirical inquiry. These assertions, while aiming to broaden perspectives, risk diluting the scientific rigor needed to study glaciers and address climate change. A balanced approach that respects cultural and artistic contributions while prioritizing evidence-based methods is essential for advancing our understanding of glaciers and their role in a changing world. By focusing on data-driven research and fostering inclusivity, science can remain both equitable and effective.

Frantz Fanon’s seminal work, The Wretched of the Earth, provides a framework for understanding decolonization as a radical, often violent, restructuring of society, which some activists in Canada have adopted to challenge the foundations of Western civilization. Fanon argues that decolonization is inherently disruptive, stating, “Decolonization, which sets out to change the order of the world, is, obviously, a program of complete disorder” (Fanon, 1963, p. 36). In the Canadian context, this rhetoric is echoed in calls to dismantle institutions, reject Eurocentric histories, and prioritize Indigenous frameworks over established systems. A recent example is the controversy surrounding the Ontario Grade 9 Math Curriculum, where the inclusion of anti-racism and decolonization language—such as claims that mathematics has been used to “normalize racism”—led to significant backlash and eventual removal of such content (Global News, 2021). While presented as a pursuit of justice, this approach often amplifies societal fractures, pitting Indigenous and non-Indigenous groups against one another. By framing Canada’s history solely as a colonial oppression narrative, activists risk fostering resentment and division, undermining the shared societal cohesion necessary for a functioning democracy. This strategy aligns with Fanon’s vision of upending the status quo but ignores the complexities of Canada’s multicultural fabric, where reconciliation and cooperation have been attempted through dialogue and policy, however imperfectly.
The activist push for decolonization in Canada, inspired by Fanon’s ideas, often employs a rhetoric of moral absolutism that vilifies Western institutions while ignoring their contributions to global stability and progress. Fanon writes, “The colonial world is a Manichaean world” (Fanon, 1963, p. 41), casting the colonizer and colonized in stark, irreconcilable opposition. In Canada, this binary is reflected in demands to erase symbols of Western heritage—such as statues of historical figures or traditional educational curricula—in favor of an exclusively Indigenous narrative. For instance, Ryan McMahon’s 12-step guide to decolonizing Canada proposes radical changes, including the return of land to Indigenous peoples and reallocating 50% of natural resource export revenues to Indigenous nations (CBC Radio, 2017). Such proposals, while framed as reconciliation, can be seen as divisive and impractical by many Canadians, fostering a sense of cultural erasure among non-Indigenous Canadians while creating unrealistic expectations of systemic overhaul. By framing decolonization as a zero-sum conflict, activists inadvertently sow discord, weakening the social contract that binds diverse communities. Instead of fostering unity, this tactic mirrors Fanon’s call for a radical break, which may destabilize the very society it seeks to reform, playing into a broader narrative of internal collapse rather than constructive change.
Ultimately, the application of Fanon’s decolonization framework in Canada serves as a divisive tool that threatens the stability of Western societies by prioritizing ideological purity over pragmatic coexistence. Fanon asserts, “For the colonized, life can only spring up again out of the rotting corpse of the colonizer” (Fanon, 1963, p. 93), a statement that implies destruction as a prerequisite for renewal. In Canada, this translates into activist strategies that reject compromise, demanding sweeping societal transformations without acknowledging the complexities of a nation built on diverse contributions. A historical example is the Mackenzie Valley Pipeline Inquiry, where concerns over Indigenous land rights led to a 10-year moratorium on the project, delaying economic development and highlighting how decolonization efforts can significantly impact community relations and national progress (Berger, 1977). By weaponizing decolonization to vilify Western values, these efforts risk eroding the democratic principles—freedom, rule of law, and pluralism—that have enabled Canada’s relative stability. Rather than unifying society around shared goals, this approach fuels polarization, aligning with a broader agenda to dismantle Western institutions from within under the guise of justice, leaving little room for reconciliation or mutual progress.
Key Citations
- The Wretched of the Earth by Frantz Fanon
- Ontario removes anti-racism text from math curriculum preamble
- Ryan McMahon’s 12-step guide to decolonizing Canada
- Northern Frontier, Northern Homeland: Mackenzie Valley Pipeline Inquiry
- Mackenzie Valley Pipeline Proposals
- Decolonization at BC’s Office of the Human Rights Commissioner
- Catholic church north of Edmonton destroyed in fire
- School curriculum in Canada disputes view of math as objective




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