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  “Capitalism is not wicked or cruel when the commodity is the whore; profit is not wicked or cruel when the alienated worker is a female piece of meat; corporate bloodsucking is not wicked or cruel when the corporations in question, sell cunt; racism is not wicked or cruel when the black cunt or yellow cunt or red cunt or Hispanic cunt or Jewish cunt has her legs splayed for any man’s pleasure; poverty is not wicked or cruel when it is the poverty of dispossessed women who have only themselves to sell; violence by the powerful against the powerless is not wicked or cruel when it is called sex; slavery is not wicked or cruel when it is sexual slavery; torture is not wicked or cruel when the tormented are women, whores, cunts. The new pornography is left-wing; and the new pornography is a vast graveyard where the Left has gone to die. The Left cannot have its whores and its politics too.”

-Andrea Dworkin

“People say, “Oh, well, pornography—that’s for masturbation, nobody can get hurt that way.” But orgasm is a very serious reward, isn’t it? Think of Pavlov’s little dogs, right? They don’t just think about salivating; they salivate. They do it because they learned it. Period. Now think about pornography. The dehumanization is a basic part of the content of all pornography without exception. Pornography in this country in the last ten years has become increasingly violent by every measure, including Playboy, including all the stuff you take for granted; and every single orgasm is a reward for believing that material, absorbing that material, responding to that value system: having a sexual response to stuff that makes women inferior, subhuman.”

– Andrea Dworkin, Feminism: An Agenda, 1983

dworkinpornography-Andrea Dworkin “The Lie” 1979.  Letters from a War Zone 1993.

“Feminism requires precisely what misogyny destroys in women: unimpeachable bravery in confronting male power.”
-Andrea Dworkin, Woman Hating.

brokenglassIn the United States, [pornography] is an $8-billion trade in sexual exploitation.
It is women turned into subhumans, beaver, pussy, body parts, genitals exposed, buttocks, breasts, mouths open and throats penetrated, covered in semen, pissed on, shitted on, hung from light fixtures, tortured, maimed, bleeding, disemboweled, killed.
It is some creature called female, used.
It is scissors poised at the vagina and objects stuck in it, a smile on the woman’s face, her tongue hanging out.
It is a woman being fucked by dogs, horses, snakes.
It is every torture in every prison cell in the world, done to women and sold as sexual entertainment.
It is rape and gang rape and anal rape and throat rape: and it is the woman raped, asking for more.
It is the woman in the picture to whom it is really happening and the women against whom the picture is used, to make them do what the woman in the picture is doing.
It is the power men have over women turned into sexual acts men do to women, because pornography is the power and the act.
It is the conditioning of erection and orgasm in men to the powerlessness of women: our inferiority, humiliation, pain, torment; to us as objects, things, commodities for use in sex as servants.
It sexualizes inequality and in doing so creates discrimination as a sex-based practice.
It permeates the political condition of women in society by being the substance of our inequality, however located – in jobs, in education, in marriage, in life.
It is women, kept a sexual underclass, kept available for rape and battery and incest and prostitution.
It is what we are under male domination; it is what we are for under male domination.

                                                                                                                    -Andrea Dworkin, Against the Male Flood: Censorship, Pornography, and Equality, 1985

“In the United States, with its distinctly racist character, the very fear of the dark is manipulated, often subliminally, into fear of black, of black men in particular, so that the traditional association between rape and black men that is our national heritage is fortified. In this context, the imagery of black night suggests that black is inherently dangerous. In this context, the association of night, black men, and rape becomes an article of faith. Night, the time of sex, becomes also the time of race – racial fear and racial hatred. The black male, in the South hunted at night to be castrated and/or lynched, becomes in the racist United States the carrier of danger, the carrier of rape. The use of a racial despised type of male as a scapegoat, a symbolic figure embodying the sexuality of all men, is a common male-supremacist strategy. Hitler did the same to the Jewish male. In the urban United States, the prostitute population is disproportionally made up of black women, streetwalkers who inhabit the night, prototypical female figures, again scapegoats, symbols carrying the burden of male-defined female sexuality, of woman as commodity. And so, among the women, night is the time of sex and also of race: racial exploitation and sexual exploitation are fused, indivisible. Night and black: sex and race: the black men are blamed for what all men do; the black women are used as all women are used, but they are singularly and intensely punished by law and social mores; and to untangle this cruel knot, so much a part of each and every night, we will have to take back the night so that it cannot be used to destroy us by race or by sex.”

                                                                                                                                                                                          -Andrea Dworkin, The Night and Danger, 1979
Footbridge in Central Park at night

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