You are currently browsing the daily archive for September 30, 2011.

Greetings fair readers.  A slightly different format for the DWR classical music interlude.  Its Haydn, and all four movements in the same post.  Commentary from wikipedia appears below.  Enjoy.

 

First movement

Haydn distinguishes each section of the sonata form in this movement by use of strong contrasts of stability and instability. Before revealing the first theme of the symphony, Haydn opens this movement with a slow introduction that begins in the tonic G major and modulates through to the parallel minor and then to the dominant. He begins the first theme in the tonic but on a dominant seventh chord. This is very unusual of symphonies of the time but it reflects an aspect of Haydn’s unique compositional characteristics. Because the rest of the Oxford will reflect many of the ideas presented in this first theme, this symphony has been termed monothematic.

Following the first theme is the transition, which allows Haydn to modulate to the dominant. The second theme begins with the opening idea of the movement, but in the dominant key. As this theme progresses it enters a section of minor-mode before entering into the closing theme. Haydn stays in the dominant key through the closing of the first movement. In the development section, Haydn borrows themes from the exposition, then “develops” and embellishes them. He adds sections of subject change and digression from the original theme as well as moments of rest or silence. These qualities of the development are all very characteristic of Haydn. Furthermore, he draws upon the older style of intricate counterpoint to enhance the galante style of the symphony.

Second movement

The second movement is in ternary form with a slow and song-like melody. Haydn, however, adds his own uniqueness to this movement by adding an intense middle section in minor. This minor interlude is based on a motive from the opening section. A shortened return of the major section precedes a section of the movement that features the winds.[3]

Third movement

Haydn composes the third movement in ABA form with a minuet and trio. Both the minuet and trio are in binary form with repeats. In order to create a more entertaining movement for the listener, Haydn composes the minuet with phrases of six measures as opposed to the normal four-measure phrase and adds syncopations and stops. All of these qualities were found to be humorous by the audiences of Haydn’s time because they were so unusual.

Fourth movement

Haydn’s final movement of the Oxford Symphony is centered on a feeling of tension and release. In order to convey this quality to the listener, Haydn writes this sonata form movement slightly faster and shorter than the first movement of the symphony to create a climactic ending.

This Blog best viewed with Ad-Block and Firefox!

What is ad block? It is an application that, at your discretion blocks out advertising so you can browse the internet for content as opposed to ads. If you do not have it, get it here so you can enjoy my blog without the insidious advertising.

Like Privacy?

Change your Browser to Duck Duck Go.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,717 other followers

Progressive Bloggers

Categories

September 2011
M T W T F S S
 1234
567891011
12131415161718
19202122232425
2627282930  

Archives

Blogs I Follow

The DWR Community

Connect ALL the Dots

Solve ALL the Problems

Myrela

Art, health, civilizations, photography, nature, books, recipes, etc.

Women Are Human

Independent source for the top stories in worldwide gender identity news

Widdershins Worlds

LESBIAN SF & FANTASY WRITER, & ADVENTURER

aunt polly's rants

A fine WordPress.com site

silverapplequeen

herstory. poetry. recipes. rants.

Paul S. Graham

Communications, politics, peace and justice

Debbie Hayton

Transgender Teacher and Journalist

shakemyheadhollow

Conceptual spaces: politics, philosophy, art, literature, religion, cultural history

Our Better Natures

Loving, Growing, Being

Lyra

A topnotch WordPress.com site

I Won't Take It

Life After an Emotionally Abusive Relationship

Unpolished XX

No product, no face paint. I am enough.

Volunteer petunia

Observations and analysis on survival, love and struggle

femlab

the feminist exhibition space at the university of alberta

Raising Orlando

About gender, identity, parenting and containing multitudes

REAL for women

Reflecting Equality in Australian Legislation for women

The Feminist Kitanu

Spreading the dangerous disease of radical feminism

Double Plus Good

The Evolution Will Not BeTelevised

la scapigliata

writer, doctor, wearer of many hats

Teach The Change

Teaching Artist/ Progressive Educator

Female Personhood

Identifying as female since the dawn of time.

Not The News in Briefs

A blog by Helen Saxby

SOLIDARITY WITH HELEN STEEL

A blog in support of Helen Steel

thenationalsentinel.wordpress.com/

Where media credibility has been reborn.

BigBooButch

Memoirs of a Butch Lesbian

RadFemSpiraling

Radical Feminism Discourse

a sledge and crowbar

deconstructing identity and culture

The Radical Pen

Fighting For Female Liberation from Patriarchy

Emma

Politics, things that make you think, and recreational breaks

Easilyriled's Blog

cranky. joyful. radical. funny. feminist.

Nordic Model Now!

Movement for the Abolition of Prostitution

The WordPress C(h)ronicle

These are the best links shared by people working with WordPress

HANDS ACROSS THE AISLE

Gender is the Problem, Not the Solution

fmnst

Peak Trans and other feminist topics

There Are So Many Things Wrong With This

if you don't like the news, make some of your own

Gentle Curiosity

Musing over important things. More questions than answers.

%d bloggers like this: