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There is so much anger and frustration over the racism that seethes in the United States.  Flash points like Ferguson, Missouri are about communities rising up in the face of injustice and demanding a better place to live in.  Their stories, their feelings, the keen edge of their Weltschmerz is evident in this song.

Music can be revolutionary, let us hope that we can work toward their vision – toward a just society for everyone.

Nine Inch Nails has some great songs, this happens to be one of them.  I swam through google and found some sheet music that seems to be pretty close to what Reznor sings and plays.

The music isn’t to difficult and that is saying quite a bit considering my skill at playing the piano.  However, this song is syncopated all to hell and sprinkled with dissonances that you have to sing like you mean it.

For instance, the piano accompaniment (B minor in my score) starts with an F# and the vocals start with an F natural.  Those two notes clash like crazy, and if you’re not on board from beat one, you’re not coming back unscathed.

The tonic, of course, is practice :)

 

Johny Cash’s version.

Although the circumstances behind Bach’s composition of three Sonatas for harpsichord and viola da gamba (BWV 1027-29) are unknown, recent research indicates that they were most likely written in the early 1740’s, when the greatest virtuosos of the viola da gamba were long a thing of the past. No original source combines all three sonatas into a cycle, but a single score of the Sonata in G Major (BWV 1027) that details performance instructions for ornamentation and articulation supports the idea that Bach wrote the sonatas for Carl Friedrich Abel, the son of Cöthen colleague Christian Ferdinand Abel, for performance during his 1737-1743 sojourn in Leipzig.

The viola da gamba emerged in Spain during the fifteenth century, perhaps as a hybrid between the North African rebab and the Spanish vihuela de mano. With six strings and a fretted fingerboard, this novel instrument in various sizes traveled quickly to Italy and was soon being produced by master luthiers throughout the Continent and England. Bach became acquainted with the North German instruments owned by Johann Ernst von Sachsen-Weimar, and an inventory of Bach’s possessions shows that he owned a hundred-year-old English “viol” at the time of his death.

A description of a harpsichord collaborating with a viola da gamba can be found in the Trattado de glosas published by Diego Ortiz in 1533, but instead of the harpsichord simply introducing themes to the viol for further elaboration, Bach calls for the harpsichordist’s left hand to play basso continuo while the right hand acts as a melody instrument.

 

The Sonata in G minor (BWV 1029) differs from the other two sonatas in that it is in the three-movement Italian concerto form. From the outset, the harpsichord’s accompaniment resembles the orchestral texture of the Brandenburg Concerto no. 3 in G Major (BWV 1048). In the adagio, Bach exploits the viola da gamba’s capacity to soar in a movingly, tender way, and the final allegro deftly handles a profusion of themes.

 

Concerto III in D major, BWV 1054

  1. Allegro
  2. Adagio e piano sempre
  3. Allegro

Scoring: harpsichord solo, violin I/II, viola, continuo (cello, violone)

Length: c. 17 minutes

The surviving violin concerto in E major, BWV 1042 was the model for this work, which was transposed down a tone to allow the top note e”’ to be reached as d”’, the common top limit on harpsichords of the time. The transcription process was based on the same principles as BWV 1053.

 

 

Merry Christmas Charlie Brown!

On Dec. 9th, 1965 – 49 years ago – nearly half of the US population tuned in to A Charlie Brown Christmas by Charles Schultz, an animated broadcast that featured the music of the Vince Guaraldi Trio.

Prior to its debut, producers were worried it was too religious, and the soundtrack was too jazz cutting edge for children’s programming. Were they ever wrong! 15 million homes had eyes glued to that broadcast, and it has since become an iconic Christmas classic.

Jerry Granelli, a drummer and a long time native of Halifax, NS is the only surviving member of that original trio. On December 7th of this year the Jerry Granelli Trio toured a show called Tales of A Charlie Brown Christmas that featured all the music from that original broadcast.

Here they are doing the true classic, Linus and Lucy.

I’m not really sure what CBC music was going for here (I suspect Christmas “cheer” was involved), but it does reek of Canadiana.  Slightly painful, but given all the holiday music that we are subjected to, this isn’t all that bad.

Greetings loyal readers.  This is the time and space where I get to curate a musical experience for you (who knew “curate” had become a verb).  So, as an atheist finding good tunes during this particular time of year can be challenging; but not impossible.  So today I present to you two works, one choral and one piano choral piece.  Both are fine works, but I think you’ll find “White Wine In the Sun” Both humourous and touching at the same time.

But first, a choral work with the libretto taken from the collected works of Carl Sagan.

There are three movements:

Mvt. 1 is about discovery…

Somewhere, somewhere…
The sky calls to us.
If we do not destroy ourselves,
we will someday venture to the stars.

Somewhere, somewhere…
Imagination will often carry us to worlds that never were,
but without it, we go nowhere.

We make our world significant by the courage of our questions
and the depth of our answers.

Somewhere, something incredible is waiting to be known…
If we do not destroy ourselves,
we will someday venture to the stars.

Mvt. 2 is about beauty…

The beauty of a living thing is not the atoms that go into it,
but the way those atoms are put together.

The cosmos is also within us,
we are made of star stuff.

We are a way for the cosmos to know itself.

We are made of star stuff!

The beauty, the beauty…

Mvt. 3 is about space at large and our place in it…

If you wish to make an apple pie from scratch,
you must first create the universe.

[The universe is] neither benign nor hostile, merely indifferent.
The universe is not required to be in perfect harmony with human ambition.
We are like butterflies who flutter for a day and it’s [a lifetime]…

Somewhere, somewhere…

If you wish to make…

 

And of course the indomitable Tim Minchin.  I really want to sing this, it’s not hard technically, but keeping it together is where the problem lies, let me assure you.

 

 

I really like Christmas
It’s sentimental, I know, but I just really like it
I am hardly religious
I’d rather break bread with Dawkins than Desmond Tutu, to be honest

And yes, I have all of the usual objections
To consumerism, the commercialisation of an ancient religion
To the westernisation of a dead Palestinian
Press-ganged into selling Playstations and beer
But I still really like it

I’m looking forward to Christmas
Though I’m not expecting a visit from Jesus

I’ll be seeing my dad
My brother and sisters, my gran and my mum
They’ll be drinking white wine in the sun
I’ll be seeing my dad
My brother and sisters, my gran and my mum
They’ll be drinking white wine in the sun

I don’t go in for ancient wisdom
I don’t believe just ‘cos ideas are tenacious it means they’re worthy
I get freaked out by churches
Some of the hymns that they sing have nice chords but the lyrics are spooky

And yes I have all of the usual objections
To the mis-education of children who, in tax-exempt institutions,
Are taught to externalise blame

And to feel ashamed and to judge things as plain right and wrong
But I quite like the songs

I’m not expecting big presents
The old combination of socks, jocks and chocolate’s is just fine by me

Cos I’ll be seeing my dad
My brother and sisters, my gran and my mum
They’ll be drinking white wine in the sun
I’ll be seeing my dad
My brother and sisters, my gran and my mum
They’ll be drinking white wine in the sun

And you, my baby girl
My jetlagged infant daughter
You’ll be handed round the room
Like a puppy at a primary school
And you won’t understand
But you will learn someday
That wherever you are and whatever you face
These are the people who’ll make you feel safe in this world
My sweet blue-eyed girl

And if my baby girl
When you’re twenty-one or thirty-one
And Christmas comes around
And you find yourself nine thousand miles from home
You’ll know what ever comes

Your brothers and sisters and me and your Mum
Will be waiting for you in the sun
Whenever you come
Your brothers and sisters, your aunts and your uncles
Your grandparents, cousins and me and your mum
We’ll be waiting for you in the sun
Drinking white wine in the sun
Darling, when Christmas comes
We’ll be waiting for you in the sun
Drinking white wine in the sun
Waiting for you in the sun
Waiting for you…
Waiting…

I really like Christmas
It’s sentimental, I know…

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