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Guncontrol   Something might be slightly askew with the American political process.

The new Ghostbusters Movie looks like a lot of fun. What is not so much fun, the overwhelming negative reaction to the trailer mostly by man-babies who have to get their winge on because an all female cast of a rebooted franchise is ruining their lives. But hey, take a look at the trailer and form your own (slightly framed by me) opinion on the upcoming reboot.

There. Now that wasn’t so bad now was it? To my informed readership there could be issues with the dialogue, what is considered funny, how much can one really glean for a trailer – the usual suspects when it comes to evaluating a possible film to watch.

Then there is this dude.  Welcome to Ground Zero of glibly earnest misogyny.  Feel free to stop the vid at any time.  It doesn’t get any better.

The pattern laid out by the douche-nozzle above can be found replicated in the comment section of the movie.  But before we get to that, the we should examine the numbers of the situation.

Ghostbusters1

At the time of this screen capture, 877k of negative votes for this movie.   Similar trends for other movies?

pixelsgreenlanterEvidently not, especially note the Adam Sandler, a movie crafted with all the care and attention a drunkard has while taking his mid bender shit of the day.  For this toadstool of a movie, 13k people have rated it negatively.  Yet, how did Ghostbusters earn so many down-votes? Could it be the threat of male-centric media dominance ever so slightly slipping way?  The plaintive wails from thousands of fragile male egos, given an anonymous forum, showing how threatened they are?

Quite possibly.

I shan’t talk about the Green Lantern – its better and more humane that way.

A small sampling of the comment section:

C2femthrownin C3headonpike C4feminaziprop C6hotgirls C7whores

C1onlygirls

Now before I go on my spiel, I managed to find a comment hidden in this thread that is golden as it encapsulates the phenomena at hand.

 

C5ftw

Well there you have it.  Problem named.  Male entitlement and the reaction to the threat of not being centre of the media universe, for just one movie.  The amount of push-back over the new Ghostbusters movie is quite staggering, as it is in fact, just one summer movie and unlikely to change the dominant mode of production in Hollywood.

If we put on our sociological glasses and get our hypothesizing boots out we can appreciate the fertile ground the discussion of this movie brings about.  Can we perhaps extrapolate to other venues in society that have been traditional bastions of male power and the backlash that must have been experienced by women trying to change the status quo?

Consider the amount of misogyny present, even in the small sampling presented here (you can go see much much more in actual thread if you’d like) and what does that say about about our society?  I would say that despite all the hurley-burley about social justice warriors and their ilk ruining *everything* that one of the dominant themes in our constructed social existence is the hatred of women.

This hatred of women is a learned generational feature – the commenters on this trailer are of the new ‘enlightened’ generation.  This is scary frakking shite we have here, because without direct attention to the processes that form this toxic hate, nothing will change.  Deprogramming the patriarchal misogyny that cripples men and destroys women must be moved up the priority list (stat!).  We have wasted too many generations on a system that is destroying us.

 

 

Tatsuya Ishida creates the internet comic Sinfest.  Sometimes his insight hits the proverbial nail on the head.

 

sinfestill8

consumerism     Our society is being influenced negatively by the consumerist culture that we, collectively, have taken our hands off the tiller and have let the market decide what is best for us and our cultures.

The idea that we can consume our way to happiness, well-being, or even a more just society would not compute without people being constantly conditioned to believe that individuality is end-goal of life.  The power of community and people working together has been the dynamo that has pushed our societies forward for the benefit of everyone (well except for the status-quo) and it is this power that has been waning since corporate capitalism has kicked into high gear under the guise of neo-liberalism.  Neo-liberalism undermines community, collective action, and critical thought it is a stupefying tonic – that when served to the masses – creates a calm disquiet that grinds societies away, but in return keeps people isolated, fixated on themselves, and most importantly: manageable.

This piece by Nick Turse is a preface for a America’s disconnect between its citizenry and the army said citizenry supports.  The dissonance is palatable as one reads the article.  What should concern you is that the disconnect described has been carefully and intentionally cultivated.  A feature of our current system, and most certainly not a bug .

“I can’t tell you exactly why I clicked on the article, but it was probably the title: “The Double-Tap Couple.” To me, a “double tap” is the technique of firing two gunshots in quick succession or employing two strikes in a row, as when U.S. drones or Hamas carry out attacks and then follow-up strikes to kill first-responders arriving at the scene. But this piece was about something very different. The headline referred to the popular app Instagram where you double-tap to “like” a photo.

The article turned out to be a profile of two twenty-somethings, a married couple who go by the noms de social media, FuckJerry and Beige Cardigan. They are, says author David Yi, “micro-celebrities” of the modern age. He is “tall, with a chiseled face, handsome”; she “has big doe eyes with cherub-like cheeks.” They dropped out of college and — first he and then she — became Instagram meme curators; that is, they find photos with wry or funny captions elsewhere on the internet and post them for their millions of followers. “Though both are social media sensations, neither is quite content with what they’ve accomplished,” Yi tells us. She “wants to pursue her first love, fashion, but isn’t quite sure what she’d want to do.” He’s currently cashing in with FuckJerry merchandise — hats, t-shirts, even “Vape juice.”

I read the article to the point at which FuckJerry (née Elliot Tebele) told Yi about his long slog up the Instagram follower food-chain: “It took a shit ton of time to get to, and it took a long time with a lot of work.”  I stared at my phone in abject confusion.  Something wasn’t right, so I scrolled to the beginning of the article and started again.  But it was just the same.  Justin Bieber is a fan.  Followers include the “Kardashian-Jenner family.”  He wears “skinny jeans and vintage Nikes.”  She sports a “statement coat and a pair of sparkling Chloe boots.”  Then I hit that quote: “shit ton of time… a lot of work.” I still couldn’t make sense of it and began studying the article as if it were a riddle. I read it maybe five times and again and again when I hit those phrases about time and work my brain would buckle. 

At that moment, I was nearing the end of a month-long reporting stint in South Sudan and waiting to find out if I’d be able to talk to a teenage girl, a late millennial with more than memes on her mind.  She had rebuffed the 60-something man her family had arranged for her to marry and her relatives had displayed their displeasure by beating her to the point of unconsciousness.  That conversation never happened, but I’d already logged several weeks’ worth of interviews with shooting survivors, rape victims,  mothers of murdered sons, wives of dead husbands.  All this in a country where, for firewood and water — that is, the means of life — women walk desperately far distances in areas where they know that men with AK-47s may be lurking, where many are assaulted and violated by one, two, or even five men.  In other words, a land where few would consider meme curation to be “a lot of work.”

I’d obviously hit that unsettling juncture where voices from home become dulled and distorted, where you feel like you’re hearing them from deep underwater.  I’m talking about the vanishing point at which your first-world life collides with your crisis-zone reality — the point of disconnect.  Mark Wilkerson knows it well.  He found himself in just such a state, serving with the U.S. Army in civil-war-torn Somalia during the 1990s.  That’s where he begins his inaugural TomDispatch piece, a rumination on his journey from soldier to veteran to chronicler of the all-too-brief life of another veteran, in his recent and moving book, Tomas Young’s War.

I eventually gave up on Yi’s article, unsure why I couldn’t understand the life and times of FuckJerry.  After I got back to the U.S., however, I signed up for Instagram and took a look at his account and Yi’s story began to make more sense to me, if only in a tragi-comic way.  Later in the piece, he writes of his subjects being “caught in the maelstrom” when a competitor is criticized for “stealing” memes.  It’s a strange society that produces both meme maelstroms and, in distant lands, lethal ones that leave millions dead, maimed, desperate, or displaced.  So before you become FuckJerry’s 9,200,001st follower, let Wilkerson guide you through slivers of two American conflicts, their aftermaths, and the points of disconnect along the way.” 

Nick Turse’s Preface to Batman in a Hospital Bed by Mark Wilkerson @Tom’s Dispatch

     The disconnection that Turse illustrates resonates with me enough though to make it the focus of my article, however Wilkerson’s article is also very good, so I recommend following the link.

ban-porn-splash-600x467   How profitable an industry is seems to be related to how regulated said industry is.  Consider the length of time necessary to regulate tobacco and disseminate the information that, yes indeed, smoking is bad for your health.

Pornography, also bad for your health and your relationships, is in the same category and for the most part is left to its own devices.  The damage caused to society by pornography is enormous and will only get worse if nothing is done.

“Those who claim that pornography is simply “fantasy” with no bearing on reality will have a hard time explaining the prevalence of pubic hair removal among young women in Western cultures; the dramatic increase in the demand for labiaplasty; or the fact that anal sex has increasingly become part of the heterosexual repertoire, despite both young men and women expecting it to be painful and unpleasant for the woman. It is singularly unconvincing to argue that pornography is not influencing current sexual norms, and that those sexual norms do not primarily involve the objectification and violation of women’s bodies.”  – Julia Long

The pornification of our culture is happening right now, and as Ms.Long says, it happens to be revolving around the objectification and violation of women’s bodies which bodes ill for all of society.

[Source: Washington Post]

Did you need your daily LoLsob, well check out the headless women of hollywood tumblr and bathe in the cool waters of women decapitated, anatomized and passively portrayed for the male gaze. Misogyny, fresh from the pop cultural centre of the universe, to you, faithful readership. Whoo-haa….:/

And dudes, do note the link regarding the inevitable WATM outcry. Please follow and read it; save us both some time. :)

headless women_0

 

“The point is (of course) not that every poster we see objectifies and fragments female bodies. The point is that many do and that cutting up female bodies into consumable, sexualized parts is such an accepted and standard marketing practice across the board – people tend not to even notice.

It is something that is not done to men in the same way, but that is not dismissing problems that face men. It is merely focusing on a specific problem that affects women.  (See: http://headlesswomenofhollywood.com/post/143241005563/headlesswomenofhollywood-what-about-the)

Even for movies that already objectify women as their main purpose (which maybe one day won’t be an entire genre??????) by cutting off the head of the woman on the poster, the dehumanization of her body is taken a step further. And her pleasure and consent are taken completely out of the equation.”

MAF

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