
Brace yourselves…
Canadian cogitations about politics, social issues, and science. Vituperation optional.

Brace yourselves…
In previous horseblogging, I may have mentioned that a number of the mares that came in, looked pregnant. One of them is not pregnant any more! Here she is with her two-day-old baby.

Many women, I think, resist feminism because it is an agony to be fully conscious of the brutal misogyny which permeates culture, society, and all personal relationships.
Andrea Dworkin, Our Blood: Prophecies and Discourses on Sexual Politics
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“Women, under separate masters, are the most divided of oppressed groups. And men prefer a willing slave to a forced slave, hence the necessity to enslave the mind. When one considers the natural attraction between the sexes, the dependence of the woman on the husband, her achievement of identity only through him ‘it would be a miracle if the object of being attractive to men had not become the polar feminine education and formation of character’. Resignation of will and meekness become part of sexual attractiveness. What is now called the nature of women is eminently an artificial thing – the result of forced repression in some directions, unnatural stimulation in others…no other class of dependents have had their character so entirely distorted from its natural proportions by their relations with their masters.”
I’m glad to report that NonStampCollector is at it again. This collaborative effort with 43Alley is a wonderful return to his old form. Enjoy all the benefits that “An instant, fruit-based moral education” has to offer.
So I’m guessing a call to technical support is in order? :)

The Suite bergamasque is one of the most famous piano suites by Claude Debussy. Debussy commenced the suite in 1890 at age 28, but he did not finish or publish it until 1905.[1]
The Suite bergamasque was first composed by Debussy around 1890, but was significantly revised just before its publication in 1905. It seems that by the time a publisher came to Debussy in order to cash in on his fame and have these pieces published, Debussy loathed the earlier piano style in which these pieces were written.[1] While it is not known how much of the Suite was written in 1890 and how much was written in 1905, it is clear that Debussy changed the names of at least two of the pieces. “Passepied” was called “Pavane”, and “Clair de lune” was originally titled “Promenade Sentimentale.” These names also come from Paul Verlaine’s poems.
The first piece in the suite is entitled “Prélude”. “Prélude” is in the key of F, in tempo rubato. It is full of dynamic contrasts with a vigorous beginning and ending. It is a festive piece, which holds much of the baroque style that is commonly found in preludes.
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