[Police fear rise in domestic violence during World Cup]
If I didn’t see it happen, it did not happen. Dark Matter2525 takes on a argumentative tact adopted by some creationists in their crusade to bring civilization back the happy-fun times of the Middle Ages.
I’m having trouble prefacing this article, as it is just that weird. I’m thinking we can categorize it under ‘People do wacky things’ for the moment.
“Environmental Protection Agency workers have done some odd things recently.
Contractors built secret man caves in an EPA warehouse, an employee pretended to work for the CIA to get unlimited vacations and one worker even spent most of his time on the clock looking at pornography.
It appears, however, that a regional office has reached a new low: Management for Region 8 in Denver, Colo., wrote an email earlier this year to all staff in the area pleading with them to stop inappropriate bathroom behavior, including defecating in the hallway. “
Er ya, so that has to be some super-duper low grade morale going on over the EPA if their job is so bad they have to defecate in the hallway…
[Source]
Prelude in C-sharp minor (Russian: Прелюдия), Op. 3, No. 2, is one of Sergei Rachmaninoff’s most famous compositions. It is a ternary (ABA) prelude for piano in C-sharp minor, 62 bars long, and part of a set of five pieces entitled Morceaux de fantaisie.[1]
Its first performance was by the composer on September 20, 1892,[2] at a festival called the Moscow Electrical Exhibition,[3] which Rachmaninoff considered his debut as a pianist.[2] After this première, a review of the concert singled out the Prelude, noting that it had “aroused enthusiasm”.[4] From this point on, its popularity grew.
Rachmaninoff later published 23 more preludes to complete a set of 24 preludes covering all the major and minor keys, to emulate earlier sets by Bach, Chopin, Alkan, Scriabin and others.
The prelude is organized into three main parts and a coda:
- The piece opens with a three note motif at fortissimo which introduces the grim C-sharp minor tonality that dominates the piece. The cadential motif repeats throughout. In the third bar, the volume changes to a piano pianissimo for the exposition of the theme.
- The second part is propulsive and marked Agitato (agitated), beginning with highly chromatic triplets. This passionately builds to interlocking chordal triplets that descend into a climactic recapitulation of the main theme, this time in four staves to accommodate the volume of notes. Certain chords in the section are marked with quadruple sforzando.
- The piece closes with a brief seven-bar coda which ends quietly.
[Source]
One video, sixteen minutes equals deep insight into how American society runs. (Hint: Most likely not for your benefit.)
I grow tired of hearing arch-conservatives rail on about the evils of regulation and how it stifles industry. People die because of deregulation and lax standards – but somehow the profit motive trumps all that human welfare shit, almost every time.
Creationist: *argle-bargle* – “Science said this!”, trots out gross caricature of scientific theory. “It is ‘just a theory!” – More *argle-bargle*.
Rational People: … *heavy sigh*
And then…the slapdown.
You are entitled to your opinion, but never entitled to the facts.
bleatmop
Mystro
The Arbourist
Dead Wild Roses 
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